Showing posts with label RnB. Show all posts
Showing posts with label RnB. Show all posts

Thursday, August 25, 2011

Aaliyah-Are You That Somebody


Aaliyah died ten years ago at the age of 22. When people pass, I often find the best thing to do is to talk or think about the good times. While I of course did not know Aaliyah personally, I do have some random memories associated with her music. I especially remember way back in 5th grade (or was it 4th?) I was on a school trip to the local newspaper to sing Christmas carols for the (I'm sure) enthralled editors and journalists. One of my best buddies and I were going to sing a duo to "Little Drummer Boy," the brightest moment of my never to be heard of again singing career. On the way to the newspaper headquarters "Are You That Somebody"  came on the radio and the bus driver relented to the chorus of little kids telling him to turn it up. Back in Prairie View Elementary there were a few songs that every just knew, and this jamandahalf was one of them. Each kid on the bus sang it perfectly word for word, doing a much better job then at the concert we were driving to.

And although that was a pretty insignificant moment in my life, hearing this song always takes me back to that time. Although years older than we were then, Aayliyah is only a year younger than myself when she died. While the word "tragic" is often thrown around, the loss of the Princess of r&b at such a young age qualifies. While she's now been gone for ten years her music, and more importantly, the memories, live on.

Click here to download

Wednesday, July 6, 2011

A Letter To Aloe Blacc


Dear Mr. Blacc,  



First off, “I Need A Dollar” is one of my favorite songs, ever. I’ve played it countless times, taught it in my English classes, have sang the chorus and verses randomly pop into my head, have shared it with all my friends… But past that song, I’ve never given you a real shot. I gave Good Things a listen-through a while back but after such a brilliant introduction like “I Need A Dollar” I expected a game changer and I was honestly, well, underwhelmed.  

But Mr. Blacc, after giving Good Things the second listen to it thoroughly deserved, my mind changed completely. The album is full of songs that capture the fleeting beauty of life: the flash of a smile, the mundane moments spent with loved ones, the optimism of a new day. Musically the album glistens. Taking cues from the 70's while never sounding trite, you follow in a long line of memorable and meaningful R&B. With tough guitar licks and pounding rhythms taking turns with mellow moods and sage advice, you are never afraid to mix it up, and even take cues from your past, breaking into raps from time to time-each time making a point and showing off, just a little. Good Things has been the soundtrack to my past few nights and the foreseeable future. Looking forward to your next album, and this time I'll be ready.  

Leks

Wednesday, April 13, 2011

Frank Ocean-We All Try


Frank Ocean, the most random member of the biggest thing right now in hip hop, the group OFWGKTA (Odd Future Wolf Gang Kill Them All), put out a mixtape a little while back, nostalgia/ultra, that was, well, surprisingly smooth. After I heard about OFWGKTA a few months back I tried to give them a fair shot. When the media/blogosphere anoint the next big thing, I'm usually a little skeptical, but I wanted to see for myself why the group of young skateboarders outta LA was getting so much hype. Two observations-one, like Lil'B, I would much rather watch an interview of OFWGKTA than listen to their music because, two, I think most things have a time and a place, but I don't think a lot of the stuff they rap about does. They seem likable enough, fun, young, looking like they're having a blast, but I don't see the need, and the exorbitant demand, for the music that they generally make, especially at they level they do.

Let's get back to the music. Frank Ocean is 23 years old, has worked with John Legend and Beyonce, among others, and has a sound that is miles away from the shock-rap sound and style of his group. His first album showcases his take on R&B. R&B, while dominating the 90s, has had little place at the music table for this century, other than taking a leap forward with Drake's classic So Far Gone. nostalgia/ultra seems like another step forward for the floundering genre. Today's jamandahalf is a silky stream of consciousness ramble about everything from time travel to gay marriage. And unlike a lot of the music of his crew, "We All Try" is immediately likable and relatable. With a goofy sophistication, "We All Try" is both unrelentingly modern and relevant, all wrapped up in a smoothness that's impossible to copy, you just gotta have it. Ocean's got it.

Click here to download

Sunday, February 13, 2011

Ryan Leslie-Gibberish



There are few things I like more on the blogosphere than opening up this site and seeing a post from the Moodawg. These pages have missed your words, and lack of apostrophes. 

To aid all of you out there with your Valentine's Day adventures, I present the ultimate Valentine's Day 2011 Playlist, this jamandahalf.

For anyone who has ever seen Planet Earth, you know you need a extra special something to get with that girl you've been eying for a few weeks, or to melt your lady's hearts all over again. While humans lack feathers to flutter flirtatiously or horns to stab the air in a very macho manner, we do have something that never fails-funky dance moves. Here's what you have to do. Put on "Gibberish."  Snap your fingers to the beat. Nod your head to bass. Fight the urge to laugh at the, well, gibberish. Start doing a funky two-step. Start sliding over to the lady of your choice. Pull her close. Look into her eyes. Start making up words (everything works). If you've done it right so far, she should be yours by the time the first horns drop.

"Gibberish" is brilliant. While this jam is extra light on actual words, it captures a feeling perfectly. Like an R&B Sigur Ros, on this song Ryan Leslie bypasses traditional ways of making music (ie. words) and goes straight for the sounds which illustrate the emotions. It makes sense on a primal level-when I'm mad, I yell. When I'm happy I laugh. When I'm at concerts I make strange bird calls (learned from the birdcall master himself, Moodawg). Words only explain feelings, sounds express them. And this is the funkiest collection of sounds which has ever existed, and the only song you should need tomorrow.

Buy Gibberish


Wednesday, December 22, 2010

Nina Simone-Feeling Good



Nina Simone's songs feel like they never have a dishonest moment in them. All of her words appear backed by real feelings, all of her stories seem like they are autobiographical. With her powerful voice capable of a wide spectrum of emotions, there are few topics where Nina does not sound completely natural and in charge. In this 1965 great off of her album I Put A Spell On You, Simone shows off both her incredible humanity with music that is instantly relatable to, but with timeless vocals that never let you forget who the singer is.

Backed by a simple horn and strings section, Simone's voice is let loose over a swinging beat. Starting over nothing but silence, she is soon joined by the instruments, both playing off of one another till the end. The song is about grasping freedom from whatever is holding you back, whether it be something monumental (Simone is likely talking about the Civil Rights movement) or something that just affects you personally. Whatever it is, she's feeling really really good with herself, freedom is hers. Like she does in our first jamandahalf, "Sinnerman," Simone lets loose at the end of this jam, busting out into a primal scat solo worthy of the eternal Louis Armstrong. Words just can't do justice to her satisfaction in this uplifting jam.

Download Here


Saturday, December 11, 2010

Cee Lo Green-No One's Gonna Love You


Cee Lo Green is the Soul Machine. That's not just the name of his second album; there are fewer truer statements about the modern music industry. Whatever Cee Lo touches, he infuses his unique fusion of oldschool motown flavor and a down south grittiness that finds success no matter what genre he decides to funkify. Starting off with one of the original (and one of the best) rap groups of all time, Goodie Mobb (who coined the phrase "Dirty South") Cee Lo decided to pursue a solo track, making two of the most eclectic "hip hop" albums of the decade. With his two later albums with the producer Danger Mouse as the group Gnarls Barkley, Cee Lo took his eclectic nature to a new level, dabbling in a rainbow of various styles and influences, allowing them to cross pollinate, and in the end creating pretty extraordinary music.

In his newest project, The Lady Killer, Cee Lo draws from his love of motown to create his most impassioned project to date. Filled with standouts,one my favorites is found at the tail end of the album. The album in itself is like a giant theatrical play about relationships, with different songs taking places of different acts, documenting the kaleidoscopic nature of the ups-and-downs of every relationship. On this jamandahalf, a cover of a Band of Horses song, Cee Lo takes the original by the Seatle indie band, and gives it a motown makeover-enrinching it with a soul smoothie, taking the slightly emo tint to the original, and flipping it into a full blown outburst of passion. Cee Lo Green does what Cee Lo Green does best: makes the song it into a Cee Lo Green track. And that's something we can all be thankful for.

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Friday, October 8, 2010

John Legend-Floating Away


John Legend performed last Friday at my alma mater. When I heard the news, jealousy flowed through my veins like beers do at a bar on a Madridleno Friday night, but I’m glad that my little college continues to bring in top names recently. Anything is better than Mickey Avalon and his four minute set my Freshman year. Anything is better than this.

John Legend is up there with my all-time favorites. As an artist he burst on the scene with his powerful “Ordinary People,” and is an R&B crooner with a little something for everyone. Like a reassuring back rub from a friend, listening to Legend has the magical ability to fix a day. His songs are about things which we all face in our day-to-day lives. Legend makes extraordinary music about ordinary things, getting better and better with each album.

Off of the Japan Edition of his most recent album, Evolver (no idea how I found it), Legend included a jamandahalf that has a rhythm which mimics that of our best days-uplifting, fun, and, invigorating. A victorious song, “Floating Away” showcases why I think Legend should be considered up there with some of the old-time greats. With a powerful voice that never feels forced, Legend sings about freeing himself from someone holding him down, escaping to higher heights. My favorite band sometimes says the best thing is to not know where you're going, but to head to the top. And that's what ‘Floating Away” is all about.

Monday, November 2, 2009

The Jam Behind the Jam: James Brown-The Funky Drummer


This is the first manifestation of a segment me and the Big man like to call "The Jam Behind the Jam." Its a spot where we pay tribute to the legendary roots of music, the artists whose own jams are so powerful and awe inspiring that they in turn spark the creation of other jams. That being said there is truly only one place to start.

Hip hop is a culture that was born out of an oceans worth of musical influences: jazz, funk, soul, blues, and so many more that were woven into the breaks of early hip hop. As both technology and rap stylings progressed, the art of sampling parts of songs to be included cohesively on the track became a staple of the hip hop genre. While rap tracks have sampled everything from Enya to Earth, Wind, and Fire, no artist has been sampled as much as the Godfather of Soul, Mr. James Brown. But beyond this, one key song was laid down in that fateful summer of 1969 that would become the most recognized beat in all of hip hop: The Funky Drummer. It was that day that drummer Clyde Stubblefield dropped a beat that was so funky, they had to name the entire track after it. So funky they had to throw in a "bonus beat reprise" of the track at the end of the side. So funky that it has become the most sampled track in rap history.

Check the stats: http://www.xampled.com/blog/sampled-from/funky-drummer-james-brown/ its not even close. You want a chart?





















...there you go. The song has been used so many times that it is ingrained in what hip hop is and will continue to be. The beat creates a standoff: energy, emotion, and intensity; you could see Muhammad Ali steppin into the ring to the beat, ready to square off. In this same way hip hop tracks have been using it to tip off battles or kick off any track since day 1. The whole song is in fact a jam and a half, but if you want to kick right to the beat you can skip to 5:30 or just check out the reprise. Enjoy.




Friday, October 30, 2009

Sam Cooke-A Change is Gonna Come



This blog is all about jams...great songs, songs that have that special something that after your precious 3 minutes and 14 seconds spent listening to it, you decide, you know what? I'd listen to that jam again, right now! Right now! Songs so good, you could have them on repeat over and over, and maybe over again.  Just cuz they're that good. We're not looking for a certain genre, or style, we're looking for songs that will make ya tell your momma, hey momma, listen to this!

Sam Cooke made one of the best songs of the 20th century in "A Change is Gonna Come." Soulful lyrics, a powerful message, and a timely plead, make "A Change is Gonna Come" an untouchable jam and a half. The jam set the standard for many songs to come...Not only hoping for a change, but knowing that a change is coming, Sam Cooke wrote a socially conscious song that has everything that it needs to be a jam and a half. Covered by and referred to by everyone from Bob Dylan and Aretha Franklin, to our president, Mr. Obama himself, ("It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America."). Mr. Cooke wrote this timeless piece in response to two events: his 18th month old son dying in an accidental drowning, and Mr. Cooke and his band being arrested after trying to check into a "white-only" motel. Sam soon realized that his pop career up to then wouldn't be enough.

Something more was needed. Sam Cooke's song, inspired by Dylan's "Blowing in the Wind," soon became an anthem for the civil right's movement, and poetically illustrates the difficulties that we need to overcome to make us a truly united nation. While it's been a long time coming, and many powers that be hope to keep it from coming, the promise of tomorrow is too great to not be seized by us today. This jam and a half is too pure, too strong, to make it deserve anything less than the "Jam and a Half'' title. Applicable to anything from the civil rights movement to the current health care promise, Cooke insists that a change is coming. You'll see. A Change is coming.

I included the original jam and a half, and a Fugees acoustic version. Enjoy

Download Here (original)
Fugees Version





Tuesday, October 27, 2009

Michael Jackson - Human Nature


Normally this aint my style...I swear, but really I feel compelled to throw it down for Mike J. The king of everything from pedophile jokes to pop is the all time leader in controversial conversational topics, but Im tryin to look beyond the social criticisms. Mike J has been keepin it real musically since he was rockin training wheels and that is why, in his death, I feel like its time to take a stand against the destruction of his rep. We all know the background, and we all know the jams, but it seems like over time we've forgotten some of the hidden classic joints that speckled nearly every album he put out.

The first time I heard this track Im sure I had the same reaction as you all, "What the hell is this?! Oh shit its straight Illmatic, It Aint Hard to Tell!!!" And thus I respected the track enough to listen to it. From there I discovered that, in fact, this goofy love tune is a certified R&B Jam and A Half!! Mikey has always known how to take it down right, but he captures that raw emotion and vulnerabilty in a truly specicial way. The last lick to be included on Thriller has been sampled by Nas, Blackstreet, SWV, BoyzIIMen, and has been covered by the likes of Miles Davis. So if you cant take my word for it trust my dogg Nasir. The hook just makes you wanna get your easy grind on with that special lady, and for its truly magnetic qualities Human Nature earns a spot as a jam and a half.

Download Here